I set out to learn about photographing my art for two reasons:
to get better photos for submission to shows
to have good enough digital images that can be reproduced as prints
The kind of art work I am photographing is 2 dimensional most of the time, with some 3d.
Up till now I have used my phone, my tablet, and another digital camera with a wide angle lens to take photos of my work. BUT the photos came out with a gold cast from incandescent lights, and I could never get them quite straight, or with high enough resolution to make prints I could sell. So the equipment I had didn’t really allow me to do what I wanted.
I am part of the way along in understanding how to do this for myself.
Here’s what I have set up for photographing so far:
A backdrop of very dark blue velvet (I had this on hand — I would prefer black) The velvet absorbs most of the light, and it doesn’t seem to affect the color appreciably.
A vertical easel. I once used some hanging grids that an artist friend had loaned me for another purpose. The grids actually worked better for me, but I own the easel.
A Nikon D5200 camera purchased at Sam’s club on sale. I recently got this very nice camera — this was the commitment moment for me. I decided to take this project on and learn how to photograph my own art.
The Camera came with two lenses. I use the Nikkor 55-200mm telephoto, and avoid all wide angle lenses for this purpose.
A tripod. I read reviews, and picked a Bower telescoping model that seemed substantial enough and would go high enough to photograph larger works.
Lighting. Two light stands with reflectors and white umbrellas. There was conflicting info about the need or usefulness of these lights — it’s just the way I chose to go for now.
The camera came with a bluetooth connection that connects to my phone or tablet so that I could take a photo without touching the camera. This has proven to be VERY helpful. I can preview the image on the tablet, which is MUCH bigger than the viewfinder.
A polarizing filter – This is to reduce or eliminate specular highlights, those annoying reflections off the highpoints of your painting. I have not figured out how to work this yet.
Several concepts I found helpful:
You are not trying to focus the light, but get a diffused, evenly lit appearance.
Do not point the lights directly at the flat surface, but using two lights, set them at angles (I use 45 degrees to the right and left, at the same height as the surface you are photographing.
The camera goes between the lights.
Camera set up
Camera and image must be level for best results.
Fill the camera view finder with the image, leaving a small border for cropping later.
Watch for distortions — make the image square in the viewfinder for best results. This can be very challenging.
I place a white card in the photo off to the side to give me something to compare for white balance.
I set the camera to take a jpg and a raw image for each shot.
ISO 100 to 200
Aperture 5-6 is the recommended.
Varnishing the painting
I varnish my paintings to finish and protect them. I used to use gloss, but have changed to eggshell which seems to help prevent specular highlights, and I like the change.
I have to read the manual each time I do this, so you can see I’m in the learning stages.
I have not figured out how to set the white balance in the camera yet.
I am a fairly experienced Photoshop user, at least for the way I use it.
I know how to balance the colors, fix shapes and minor edits of reflections.
One thing I haven’t learned yet is how to use the white card I’ve placed in a photo to correct color in either the camera or Photoshop.
If you have info that could fill in the blanks, please share. It would be most appreciated.
Next big show coming up is NEAT Seattle, a studio tour. I will be a guest of Sandy Spear, and Priscilla Peterson will also be with us. Sandy makes glass beads, and jewelry from the beads, and Priscilla makes wearable art clothing. Looking forward to sharing the tour weekend with these two lovely women! December 5-7, 2014
I will bring more of my new 3D figures “The Actors,” the “Headstones,” some smaller paintings and collages and matted prints for gift giving. Great time of the year for purchasing totally unique gifts!
Some interesting additions to my artworks! I’m calling them The Actors. I currently have five figures to show. This is a fun departure from 2 dimensional paintings and collages, and more akin to what I did in my costuming days.
Meet the twins, called “Illumin-naughty” and “Illumin-nice.”
Then there is “Nearly 12”, mostly because he sports an 11 on the pool ball.
The first one I made, her name is “First Lady.” Simply named.
Finally there’s “Queen 3”, pictured above. She came back from her vacation in the tropics wearing a wooden pineapple bowl.
Also a new thing I have done is called “Headstones.” Yep, heads on stones. Kinda cool as paperweights or desk toys.
Another grouping of people this one strikes me as a Greek chorus. I like this working fast thing. Of course, I’m working on completing some that I started, so the ones that I start from scratch may take longer than a day. Nice to finish up some paintings though!
Sunday, July 27 I was with 3 other artists at the Edmonds Waterfront, demonstrating how I make and use some of my tools for my art. I was showing how I hand carve rubber stamps, the papers that I stamp to create pattern and textures for collage materials, as well as some finished and in-progress collages. Kim Day, NW Polymer Clay Guild member — working with polymer to make beads. www.nwpcg.orgLynette Hensley, collage artist and painter — hand carving stamps & show how she uses them. lynettehensley.comCarol Meckling, acrylic painter — happily drawing a pet portrait for you! carolmeckling.comBetty Melhoff, NW Polymer Clay Guild member — creating buttons from Polymer clay. www.nwpcg.org On this beautiful sunny day, we were entertained by some college jazz players right next to us, and there was a steady flow of curious lookers! Thanks for coming down to beautiful Puget Sound to have a chat! And thank you to the Edmonds Art Festival Foundation for the opportunity to show a bit of our processes right there in the public eye. Photos by Meredith Arnold
This year, September 20 & 21, once again I will be participating in the Edmonds Art Studio Tour. This event has become a destination, gaining in popularity and acclaim, and is now in its 9th year! I was fortunate to be a guest artist at Cami Smith’s studio that first year, was at Lynn Scott’s studio last year, and this year will be in Studio 11, with Mona Fairbanks in her studio, along with Robin Westbrook with her beaded jewelry.
This year I will have paintings as well as some 3D work, assemblage figures that I’m working on as of this summer, as well as some less expensive work, drawings, paint sketches, small collages and prints. People have shown an interest in these works, so I’m bringing them along for the tour.
In preparation for this year’s tour, we thought it would be good to give folks a chance to get to know us better, and so we put together an artist interview project. Here’s mine!
Photos from last year with Lisa JonesMoore and Lynn Scott:
Photos from the first year with Cami Smith, Cami’s mom and Pat, pictured below with happy hands!
Looking at the last show I had up, I noticed a preponderance of quinacrodone burnt orange which in one way, holds the show together, and in another, it seems like it could be time to add some new colors to the palette. So I started working with a small palette of Quin gold and ultramarine blue, titan buff, and Van Dyke brown hue, and I liked what came from that today.
In an attempt to add to the flower collection, I chose to start with dogwoods. They make me remember Georgia and Virginia in the spring, with the pink ones and white ones blooming everywhere and the cicadas singing in the rise and fall of their songs. I like the flow of the flowers across the canvas. This first one is just a start. It will end up quite different — at least it usually does.
Then inspiration hit with a photo of a dear one, and I made a portrait. Because it didn’t become a likeness of her, I will try again, but I still like where it ended up. There may be some slight finishing to do, but she’s very close to done.
I played lots of loud music to help me quiet the rest of the world. All in all, satisfying studio time.
I am honored to have work included in the Edmonds Art Festival Juried Gallery this year. Two pieces were accepted, Fancy Coats and Friend of the Family. However, the good/bad news is that Fancy Coats already sold and is now in a private collection!
Edmonds Art Festival is a yearly event, always over Father’s day weekend, and is a signature event for the city of Edmonds, a fantastic supporter of its arts community.
Two Sisters together, with Fancy Coats and laughter SOLD!
I recently uncovered some of my kids childhood art, and at the same time, some of my own as well. My mother kept a xerox copy of some drawings I did when I was preschool age. Judging from child development research, I was probably 4 at the time. Mom has used the word prodigious, and also precocious to describe the drawings. I don’t know — but I do know that they are fun images. Birds, furniture, daddy, all with circles for feet and drawn with youthful abandon, with no thought about a horizon or the relationship between one thing and another on the page. I liked one of the pages so much that I posted it on facebook, and threatened to make it into a painting. My 28 year old daughter took that as a challenge and digitally re-made my drawing into a colored field, morphing the couch into a frenzied rodent, a spontaneous collaboration, one might say!
The original drawings were themselves a collaboration I suppose. On another page of drawings my mom had drawn a bird, a girl, and I used those to jump off and draw what I knew. I produced a domestic scene, couch, chair, doors, daddy, birds. I would venture to say that this means good things about my childhood, that it was overall peaceful and secure.
Several things I take away at this moment I decided to make a painting from my youthful drawings:
Artistic development never ends. I’ve been telling people that this painting took me 54 years to complete. Ha!
Parental encouragement and support of creative endeavors is priceless.
A parent’s PRESENCE with a child, not taking over, or imposing adult ideas on childhood exploring, also priceless.
Mom felt this piece of paper was important enough to keep for over 50 years. Very special.
Asking an artist about their work, then listening and accepting what they say allows the one-who-looks to know more about the artist.
Now after a stroke, my mom is in assisted living. I still see the spark in her eye, still hear her encouraging words, and am grateful for her life, her entirely individual ways and her attention to me throughout my life. She is experiencing challenges forming words, but I simply admire her will to keep trying, and even her curiosity and interest in what is happening with her in spite of the frustrations. Always curious, very intelligent and inquisitive, she’s now set up with books on tape and her knitting…and I’m sure this will be an adventure too. May this phase be as peaceful and secure an adventure as my own childhood apparently was. This one’s for you, mom.